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With all the features of the Pro Version, the Stereographic 3D Version. adds all the features you need to previsualize your next 3D shoot, or even simply to better understand and explore the considerations, impact and effect of adding the third dimension to your filmmaking toolkit. FrameForge Previz Studio 3 enables you to create a virtual 3D set in your computer with the freedom to place any number of virtual cameras in any placement, angle or height desired. Each camera features full Pan/Tilt, Dolly, Zoom, Roll and Crane control with the options to limit focal length to a specific zoom range or set of prime lenses, limit minimum and maximum heights (due to equipment limitations or physical ceilings) to accurately portray the actual range of your equipment. Its 'behind the scenes' power and filmmaker friendly controls will empower you to experiment and discover the very best shots to capture each story moment. FrameForge is not about your mastery of the pencil but more how you can explore and see what your actual equipment will see. Find your artistry here and it's in the can! FrameForge Previz Studio comes with well over one thousand World-Ready™ objects from a simple drag'n'drop library including everything you need to build exteriors, homes, offices, whatever. Searchable by name and organized in over 100 different categories, including 76 fully poseable actors in four ethnicities. These actors range from babies, children, teenagers to adults, and these adults can be aged from 20 to 60 years old. Save time, money and nerves by exploring each shot before you start shooting. Previsualize your project with FrameForge Previz Studio 3 and your printed or exported storyboards will not only be optically-accurate, but they'll give your cast and crew a true representation of your directorial intentions, including the technical information required to create that shot on location.
- Dual-Core CPU or Equivalent OpenGL Hardware Accelerated Graphics Card with 128MB Dedicated RAM 500 MB Free Disk Space 1 GB RAM Windows XP, Vista or Windows 7 Macintosh Mac OS X 10.4 or later
The Stereographic 3D version adds the ability to previsualize shoots using stereographic rigs with the ability to view it in real-time stereographic 3D on-screen as you work. Yes, put on either anaglyph glasses (red/cyan or any standard anaglyph color combination) with ANY screen or polarized glasses with most active and passive polarized display technologies and jump right into the picture with full stereographic 3D. Use fully customizable 3D rigs, control your depth for your target screen size, and take control of the new medium that's sweeping the face of the entertainment world. Fully Customizable Beam-Splitter (Mirror) & Side-by-Side Rigs that can be set to exactly mimic the parameters of whatever equipment you're actually using Shoot Converged or Parallel with Post-Production Offset and you can specify whether you want post-production offset reported as as a percentage or a pixel value based on any source resolution Target any Screen Size from as small as an iPod® all the way up to IMAX® Blueprint Display Shows Screen Plane & Far Distance Lines, and dynamically updates them in real-time as your rig's interaxial, angulation or planned post image shift changes. Innovative 3D Control Panel puts all your stereographic controls and information in one place, allowing you to control your stereographic depth with the same ease as you'd control any other facet of your filmmaking
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Features
- Dolly Tracks that "know" how to snap together automatically with dollies JL Fisher® Dollies, Cranes, Jibs & Crossarms that function exactly like their originals from their ability to follow dolly tracks to how high they'll crane or how the jibs or cross-arms will spin Arriflex®, Panavision® & Red® Cameras modeled to scale (in addition to a number of "generic" cameras that can be swapped in for any camera you are using) Geared, Fluid & Three Axis Remote Heads: all of which function as their real-world counterparts do Low Hats, High Hats, Baby & Standard tripods all sized to industry standards Indie Equipment too! Automatically be informed of Camera Collisions even if the colliding part is the back of a jib or crane. Export Automatic Equipment Reports and get a sorted list of all the camera equipment on every set Specialized Control Orbs for easy manipulation of lighting and grip equipment More Animation/Animatics Exporting Options -- export at any size up to 3000 pixels high, nearly 3 x standard HD Export Movies with Blueprint View synched on the left to show not only the shot, but how you plan to get it Drop in Measure Tapes that optionally only show up in blueprint view to identify distances for DPs, Operators and Set Designers Multiple-source lighting using SmartLights™ that can be pointed at any object with a simple click of the mouse Multiple-source Overlapping Shadows instantly add depth and realism to any image, and they happen real-time as you work. Automatic Sun Position based on your selection of the geographical location, date & time of your shoot. It automatically takes into account daylights saving time and also reports the sunrise, sunset and midday for that location on the date of your shoot. Innovative Lighting Mixer puts all your lighting controls on one place, allowing you to create your basic lighting plan by setting and tweaking individual lighting instruments (brightness, color, shadow intensity, etc.) or just set the tone and time/place with a few broad strokes.
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