Showbiz Software Stores

This Introductory, Comprehensive Text Of Audio Practices Is For Both Production And Post-Production Sound. It Emphasizes The Importance Of Recording The Sound Properly On The Set And Also Explains The Post-Production Audio Process As A Creative Collaboration That Enhances The Story And Is Not Merely A “Fix” For Various Audio Problems.

Designed for undergraduates enrolled in film-studies programs at colleges and universities, community colleges, and trade schools, this book offers extensive exercises and review questions to better understand the relationships between the gear and practices required for optimal recordings and mixes. Rather than merely explain the concepts of sound wave propagation, the electronics of how sound is recorded, or the acoustics of sound reverberation in spaces, these exercises are designed to demonstrate and reinforce these crucial ideas.

This Systematic Approach From Simple Recording Through Sound Editing And Mixing Gives Aspiring Sound Technicians Valuable Hands/Ears-On Experience So They Can Achieve The Same Professional Quality As Those Working In The Industry!

• Paperback: 318 pagesPublisher: Jones & Bartlett Learning; Pap/Com edition (July 30, 2010)Language: EnglishISBN-10: 0763790710ISBN-13: 978-0763790714Product Dimensions: 8.9 x 6.9 x 0.9 inchesShipping Weight: 1.2 pounds

About the Author: Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, Calif. A supporter and advocate for independent filmmaking, he has sound-designed and mixed many independent feature films and documentaries that have played in theatres the world over. For television he’s VO-recorded, sound-edited, and mixed hundreds of episodes of programming for VH-1, Discovery’s The Travel Channel, USA Network, Sony’s Game Show Network, and Comedy Central among many others. He is founder and moderator for the Los Angeles Post Production Group, a monthly, membership meeting group of post-professionals in Hollywood. Besides writing for his blog WoodysSoundAdvice, he is also a contributing blogger to studiodaily on audio matters. He’s won awards for Best Foreign Film at the European International Film Festival for “Silent Radio,” a film which he post produced, sound designed, and mixed. He was awarded both a 2008 Telly Award and a 2008 Communicator Award for Sound Design and Mixing for E! International’s “The New A-List Hollywood.” He was also awarded Create Magazine’s “Best of Industry Award – Audio Services” for his recording work on JibJab Media’s “Second Term.”